The problem of the woman artist

 “The men liked to put me down as the best woman painter. I think I’m one of the best painters.”—Georgia O’Keeffe

The problem of the woman artist

My historical fiction is about the gaps in history, the silenced stories, the holes that riddle our past. I chose to look at this topic through the lens of art. My subjects? Women artists in Europe who lived and worked 500 years ago, during the Renaissance era. I’ve spent several years delving into the problem of the woman artist, and what I’ve found is astonishing.

Self portrait, Caterina van Hemessen

The bad old days

First, many people are surprised to learn that there actually were women artists back then. Most of them worked under the radar. They were usually the wives, sisters, or daughters of artists. Sometimes they were nuns. If they sold their work, it was often unsigned, or attributed to the male artists in their lives—because women’s work was not valued. Women at the time were seen as inferior to men both in mind and body, and nothing they created could ever achieve the same level of greatness as the work of their male counterparts. That’s why the great masters of the past were all men.

The greatness gap

Good thing those days are over, right? Well, not quite. The greatness gap persists. Women artists are underrepresented in galleries and museums (it’s about 70 percent men vs. 30 percent women, according to this research), and their work still doesn’t fetch the prices that the art of men commands. In academic circles, debates have still raged in the not-too-distant past over whether women artists truly are capable of greatness.

When I read H.W. Janson’s History of Art for an intro to art history class in the 1980s, there were zero women artists in the book. ZERO. Today, out of the 318 artists represented in the book, just 27 are women. This book is mandatory reading for many college students of the arts. It tells us that throughout history, important art has been the realm of male artists. After learning this “truth” in my college days, imagine how astonished I was to learn while researching The Girl from Oto that in fact history is rich with many talented women artists who mostly worked anonymously and whose stories were simply never told.

Self-portrait, Sofonisba Anguissola

Hmm, could greatness be linked to opportunity?

There have been lots of obstacles standing in the way of women artists’ greatness. For example, Da Vinci was celebrated for his anatomically precise work. His expertise stemmed from prolonged observation of naked bodies. His female contemporaries, on the other hand, were barred from observing nude models. One of the critiques of women artists of the past was that they weren’t very good at figurative work. Gosh, I wonder why? From the Renaissance through the 19th century, women weren’t allowed to draw from live models. That’s why so many of them focused on—and excelled at—the still life. It was simply a matter of what subject matter was available to them, not a question of their inherent ability to draw a human body.

One of the other challenges facing women artists of the past is that they’ve been stuffed into basements and attics, relegated to the dusty archives of Europe’s great museums. Even if museums own work by women, they rarely show it. That’s why the Prado’s show featuring Clara Peeters in 2016 was so groundbreaking. The Prado (in Madrid) had never showcased a female artist before, despite its 200-year-old history. It was only after a curator’s wife asked him if there were any paintings in the place by female artists that Flemish artist Clara Peeters’ work was retrieved from the basement and dusted off. Here’s a link to the post I wrote about Golden-age artist Peeters last year.

Chipping away at the problem of the woman artist—for the next generation

In the United States, we have a museum dedicated to women artists in Washington, D.C.: The National Museum of Women in the Arts. The museum showcases women’s art and educates the public about female artists of the past and present. Hopefully this will inspire more girls to take heart from examples of female greatness and become artists themselves. Here’s an eye-opening fact sheet published by the museum about gender disparity in the arts.

Keep learning about women artists of the past

Want to learn more? I’ve found several fantastic podcast episodes about the problem of the woman artist in history, if you’re interested in delving further into this topic.

Dear Reader: There are affiliate links in this article. This means that if someone clicks on them, I will receive a few cents. Full disclosure! 🙂

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Amy Maroney

I’m a writer living in the Pacific Northwest with my husband and daughters. It took 4 years to write and publish my first novel, The Girl from Oto. Before that I was a writer and editor of nonfiction. This blog charts my progress as an independent author navigating the fog-shrouded switchbacks of “authorpreneurship.” Come along for the ride…I hope what I’ve learned along the way can help you, too!

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